Death of a Salesman by Arthur Miller

Published 1949 · 39,840 words · about 3 hours at an average pace · Drama, Tragedy

How hard is Death of a Salesman to read?

Death of a Salesman scores 67 out of 100 for difficulty on ReadingRate, making it quite demanding. The score is a weighted composite of nine measures: four of how hard the prose is to parse, five of how hard the meaning is to extract.

Vocabulary: 55 out of 100
Arthur Miller employs a literary vocabulary featuring words like "insinuates," "incipient," and "trepidation," which elevate the prose beyond simple contemporary fiction. While sophisticated, the language remains widely accessible to an adult reader, lacking specialized jargon or archaic terms found in works like "Moby-Dick."
Sentence structure: 45 out of 100
The play primarily uses direct, declarative sentences in its dialogue, reflecting natural speech patterns. While stage directions can be descriptive, they avoid the extensive subordination or multi-clause structures seen in works like "The Golden Bowl," making the syntax generally straightforward and easy to follow.
Abstraction: 68 out of 100
The play, while grounded in a family's concrete struggles, constantly explores profound abstract themes such as the American Dream, personal failure, and the nature of identity. Willy Loman's internal monologues and shifts between past and present directly engage with his philosophical and existential dilemmas, pushing the abstraction beyond mere social observation.
Information density: 60 out of 100
"Death of a Salesman" presents a high information density through its rich psychological subtext and non-linear narrative structure. The frequent shifts between Willy Loman's present reality and his vivid memories demand continuous reader attention to track the unfolding emotional and thematic complexities.
Narrative indirection: 70 out of 100
The play immerses the audience in Willy Loman's subjective reality, where his delusions and memories blend with the present, demanding constant inference to discern objective truth. Readers must actively interpret the significance of Willy's fractured perceptions and the unspoken motivations of other characters, making it more indirect than 'Beloved' (50) but less purely inferential than 'Lolita' (72).
Symbolic density: 75 out of 100
"Death of a Salesman" is rich with recurring symbols that carry profound thematic weight, such as the flute music representing Willy's past dreams, the stockings symbolizing betrayal, and the seeds representing his desire for a tangible legacy. These motifs are central to understanding the play's critique of the American Dream, comparable in density to 'The Great Gatsby' (75).
Ironic distance: 72 out of 100
The play maintains a significant ironic distance by presenting Willy Loman's tragic struggle with deep empathy while simultaneously critiquing the false values and illusions he embodies. The audience recognizes the destructive nature of his beliefs, creating a gap between Willy's self-perception and the author's underlying commentary on the American Dream, similar to the nuanced critique in 'The Great Gatsby' (70).
Resolution withholding: 60 out of 100
While Willy's death provides a definitive plot conclusion, the play's 'Requiem' deliberately withholds clear thematic closure, leaving profound questions about the meaning of his life and the American Dream unresolved. The lingering ambiguity regarding the family's future and the societal forces at play creates an open-ended interpretation, akin to the thematic openness of 'The Great Gatsby' (60).
Structural complexity: 78 out of 100
The play employs a highly innovative and complex structure, seamlessly and often disorientingly shifting between present action and Willy's vivid, often delusional, flashbacks and internal monologues. These fluid transitions require the audience to actively piece together the fragmented timeline and distinguish between reality and memory, making it significantly more complex than 'The Great Gatsby' (55) and approaching the interweaving of realities seen in 'Pedro Paramo' (80).

How Death of a Salesman is regarded

Death of a Salesman holds a literary regard score of 91 out of 100, weighing its place in the canon, its critical reception, its influence on other writers, and the standing of its author. Regard is measured separately from difficulty: a demanding book is not necessarily an admired one.

About the author

Arthur Miller