Cosmos by Witold Gombrowicz

Published 1965 · 60,000 words · about 6 hours at an average pace · Literary Fiction, Experimental Fiction, Psychological Fiction

How hard is Cosmos to read?

Cosmos scores 82 out of 100 for difficulty on ReadingRate, making it very challenging. The score is a weighted composite of nine measures: four of how hard the prose is to parse, five of how hard the meaning is to extract.

Vocabulary: 64 out of 100
Ordinary vocabulary made strange by relentless repetition, plus Leon's invented private language of coined syllables and nonsense words.
Sentence structure: 84 out of 100
Sentences that stutter, break, restart and pile clause on clause in imitation of a mind assembling a pattern it cannot justify.
Abstraction: 80 out of 100
A philosophical novel about the manufacture of meaning, in which the plot exists only to demonstrate an epistemological problem.
Information density: 74 out of 100
An accumulating catalogue of trivial details that the reader is forced to hold in memory because each may turn out to matter.
Narrative indirection: 88 out of 100
The narrator constructs the pattern he claims to discover and is unreliable in a way he half-admits, so nothing he reports can be separated from his obsession.
Symbolic density: 84 out of 100
The hanged sparrow, the two mouths, the stick on the thread and the arrow on the ceiling form a symbolic system that the novel insists is not one.
Ironic distance: 84 out of 100
The apparatus of the detective novel is applied to nothing, and Leon's ceremonial monologue about his private anniversary punctures the whole metaphysical exercise.
Resolution withholding: 92 out of 100
No pattern is confirmed, the killings are unexplained, and the novel's last line — it started to rain, we had chicken for dinner — refuses closure outright.
Structural complexity: 76 out of 100
Linear in time but structurally governed by obsessive repetition, digression and a narrator whose organising logic is the subject rather than the frame.

How Cosmos is regarded

Cosmos holds a literary regard score of 75 out of 100, weighing its place in the canon, its critical reception, its influence on other writers, and the standing of its author. Regard is measured separately from difficulty: a demanding book is not necessarily an admired one.

About the author

Witold Gombrowicz